Wednesday, April 21, 2010

Another Lino-cut goes off for display

With the sky opened up to air-traffic again I have been able to send my
ex-libris lino cut print to the Third International Biennial Ex Libris Exhibition "Danube" 2010
at the Historical Archive of Pancevo, in Serbia.
It should have gone last week, but with the grounding of air traffic due to the Icelandic Volcano...no I'm not going to try and say/write the name of it...LOL....there was not point trying to send anything airmail...
The Lino-cut is a three colour print and it is based on the River Danube (the subject this exhibition) depicted by the sinuous blue curves down the center. The overall shape is heavily influenced by the Neolithic ceramic Donii figures. These are women with wide almost pear shaped hips, often depicted pregnant, celebrating the creation of life and thought of as Mother Earth. The river curves follow the line (left hand side) of the traditional womanly curves. These Donii were created in the neolithic era by the peoples living along the Danube Valley.
These curves representing the river are then highlighted with partial spirals, a neolithic form of decoration that is common between Ireland's neolithic culture and that of the Balkans and the Danube valley.
I have allowed the 'solid' grey to print unevenly, it is hand printed rather than with a press, to allow white paper show through. My intent to have the overall effect similar to stone rubbings that we get from our carved stone artifacts here. This ties my own heritage to the heritage of the Danube Valley and helps keep the work more personal.
I like this work for it's simplicity, but it has a simplicity that comes from much planning and work. An almost art-deco feel, but one that enfolds quite deep undertones celebrating the artistic heritage that has survived thousands of years, both along the Danube River and in my own area.
Now that I have this sent, and the airplanes are flying again, I have to try and get organised for our trip to the Cote D'Azure in the south of France.

No comments: