Summer's end part two....

I have finished the painting I spoke of in my last post.... I have titled it Gathering Storm. To this end I have used a number of techniques within the piece. The sky is obvious, but within the painting of the sky there are echos and shadows of the underpainted tree branches. These have been left intentionally, they add a feeling of restlessness movement to the trees without animation in the painting. The lines and bow curves of the tree branches are designed to give the impression of whipping movement and tension within the tree. Within the painting of the tree boughs and branches I have tried to create a restlessness using uneven brush marks along with the uncoordinated shapes of the branches.

The magpies themselves also help the stormy effect. The top left magpie is either struggling to perch, or just arriving to join the others.

I have used six of the birds in reference to the old Rhyme, One for sorrow, two for joy, three for a girl and four for a boy. Five for silver, six for gold. Seven for a secret, never to be told ,eight for a wish, nine for a kiss.
Ten for a bird you must not miss.

The number of birds is designed to help the collectability of the painting, being a good number to have if someone is superstitious. The number is not an important factor in the composition, just the variety of their stance, the top left craning it's neck looking down, as is the bottom right bird, as they do when scolding the cat. These are incidental to the mood of the painting which also carries the threat of the storm within the tree itself, and from the dirty grey sky behind.

I feel the painting works well, pleasing to the eye while still holding the threat of an impending storm, with the cameo of magpies adding further interest.

Starting work again at last....

I have been into the studio and made a start on another painting. I did not manage to get a lot of work done, but I feel better for starting. Although I am back on more steroids I still have a bit of a wheeze and remnants of the cough. My energy levels are quite high, but my fitness levels aren't, so I start something and realize halfway through I can't carry on.
I have planned out and laid the base coats on the painting, and left them to dry out. At the moment the background layer is just a strong dark deep red, which will more or less dissapear as the work progresses. My next step is to start adding details into the base painting of the sea-bream so I can be fairly set in the colouring and style of this aspect before I work on the peacock feathers and the background. I will take a photo of this first stage before I start, and another at the end of my next session. I am not sure if I will post them as works-in-progress though, I may post the full series with the finished piece in one post, or I may not post them at all. I think it will depend on how the work progresses, and how happy I am with the way it has gone.
Working on and through ideas, does not always allow the process to be visible, as they can become very confused and cluttered and even worse unresolved. I see the proposed painting in my mind, and at first it seems to gel and work, but when it becomes a physical object that can be analysed and studied it often shows weaknesses not apparent in the planning -- a bit like a dream not reflecting the reality.

I am hoping to start the work using previous studies and images rather than the actual still-life subject (another sea-bream) due to the short bursts I will be working in. With so little fitness short spells of work are going to be called for and I will end up using a lot of fish during work on one piece if I don't. I will save the fish in the freezer until I start working with the peacock feathers. I will need to see the way one of the feathers lays across the fish, as I intend to have one doing that in the painting -- but this is subject to change.

Of fish....

I have been busy with a painting of sea bream over the last while. I am still not happy with it but I will continue with it though, because I know the painting will get there eventually. I had started with the Bream looking like bream (on a plate). Obviously this wasn't going to work since the fish do look different in water, and light reflects differently.

I then reworked them and at this stage I have over-painted the fish four times, each time altering the balance between the fish as they are, and how they need to be for the painting.






Top, Sea-bream, unfinished


middle, Sea-bream, finished study.


bottom, Goldfish fry in my pond.







And speaking of fish, the fry in the pond are coming on in leaps and bounds. Today the fish are spawning again for the fourth time that I know of. I have at least three stages of fry in the pond at the moment. You will see two or three different sized fist in this photo of them, and there are more tiny pin-fry evident to the eye (less than a quarter of an inch, .5 cm)

The older fry are almost an inch long now and are happily shoaling in the pond, and ignoring the adults presence so I assume they are now of a size that makes them safe from predation.

A Painting for St. Patricks Day.

Here is a small study/oil painting sketch of Croagh Patrick in Mayo.

I am selling it as a special for St. Patricks day.

I am only charging $300 for it.

It is an Oil on canvas, 18 inches by 14 inches and I normally would charge about $650-$750 for it direct from my studio. Allow about 10 days for shipping to the US.

Click on the painting for a larger photo.

with Paypal, secure online payments