Showing posts with label light. Show all posts
Showing posts with label light. Show all posts

Tuesday, February 19, 2013

Springtime, and the painting is Plein air...

 Four Plein air knife paintings on 10 by 8 inch panels.

 
Glenasmole and the Dublin City Golf Club, from Bohernabreena

 
Howth head and Dublin City from Bohernabreena
 
 
The Upper Liffey Valley Manor Kilbride
 
 
The Upper Liffey Valley Manor Kilbride

Springtime has arrived...  at least for now, we have had a couple of warm sunny days.  The 17th of the month was almost balmy, and I put the warmth to good use by doing some plein air studies down the road, and in Wicklow.   It was great to be able to go out and work after the winter, and I am considering setting off back to the Liffey Valley in the morning if the weather holds for tomorrow.  There is a view I want to work on in a larger format.  It will need a lot more detail than these four did, and will probably take a couple of plein air trips before I come back to the studio to finish it.  The latter two images will help me recall the co,lours and conditions when working on the proposed larger work.
The light had softened by the time I got to Kilbride, the fields looking greener and the trees turned more grey than brown on the shaded side of the mountain.  But looking east from Bohernabreena the sunshine  had the trees looking much brighter and brown, yet the golf club in the first painting also showed signs of a cool light in the shaded greens and fairways of the course.  The fresh greens of new growth in the grass fields has a deep green and silver look at this time of the year.  Later on in the year the greens will become much warmer, even in the shade.  The fresh shoots of the grass give an almost magical light in the early spring sunshine, much more silvery than the early growth of the leaves in the trees and hedges later on in the spring which seem to just warm the browns and greys of the twigs before really turning green. 

Sunday, September 9, 2012

Back from Monet's world, and into my own...

 Here are some of the promised Photographs from Giverny.  The gardens are beautiful, if a little crowded for any real atmosphere.
I did a couple of watercolour sketches while I was there, just for the sake of doing it as much as anything else.
We wandered through the house (surprisingly spacious) and studio (not as big as I expected) also and explored Monet's collection of Japanese prints which are on display on the walls where hed left them.

We visited the Orangerie the following day to see the Waterlilly paintings in situ (as well as the other art on view downstairs) .A pleasing experience enhanced by the visit to the gardens. 

the watergarden
 
the main avenue

the river Ru

the sketching artist


view to the Japanese bridge

 the lily pond from beside the bridge

 
I'm busy fishing for the next two weeks, but I'm going to try to get started on some work.   Monet's waterlillies have encouraged me to go large again.  looking around at the expansive canvases reminded me why I love to paint big canvases.  I think the recent smaller work may have stifled my creativity somewhat, but it's OK.  I'm cured.

Monday, February 11, 2008

Sunlight, water and brightness

I have been busy working in my studio again, but the last two days have been quite warm (about 15 degrees centigrade) and sunny, so I have had the door open and I have worked to the sound of running water in my Pond. The sunlight reflecting in through the windows and the door off the water surface fills the studio with light. Added to the fact that the studio was a gift, it is really a joy working in there. The difference in the atmosphere between it and my old studio in Marlay Park is emmense. I was painting away, the work was progressing well, and I had stepped back to view the painting and I glanced to the right, the light reflecting up from the surface of the pond catching my eye, and I thought to myself, this feels good.

I am working in a beautiful environment, in a studio that was given with kind regards....it has only pleasant feelings. In short it is a nurturing environment for creativity. It was something I was missing for a long time in the Marlay studio. I am looking forward to getting stuck in to a series of work this summer. I hope we get a bit more sunshine than last year though.