A re-worked plein air study.

I have finished re-working this Plein air study from St. Marguerites Island in the Bay of Cannes, Cote D'Azur.

The couple of areas in this photo with a shine have already been started on. (I decided to photograph the work in progress after starting)

Starting from the base oil sketch, the composition is very busy, and the small branch to the left of the right hand tree is mimicking the center trunk giving a regimented and fragmented look to the work.

I have adjusted the curve on the right hand tree already, the dark blue of the original sketch is visible to the left of the reworked trunk. I have put a base coat on the small branch, which I am about to paint out next. I have also painted areas of the 3 tree trunks
and darkened the dark area behind the lefthand tree.

In photo two, I have done further work on the tree branches. There are areas of light added to some of them. I have also emphasised the curve and twist of the middle tree trunk.

I have painted some foliage in the foreground, top left, this adds depth to the painting.

I have greened up the main area of foliage to the back.

Second coats have been given to the two areas of ground under the trees. The little piece of wall has been painted out also, it does nothing for the composition and is not needed. The dark line of the old wall foundation on the other hand adds interest and does the secondary job of creating contrast to the strong line of the tree's roots on the surface of the ground. These roots make the trees more interesting.

The section of the Island in the background has been repainted. This has been cooled down and adjusted in tone to complement the newly painted sea and sky areas.

In the third photo I have reduced the area of foliage to the right hand side of the painting. This area was to square and also quartered the painting. I had a little fun with this part though...creating a little map of Ireland out of it....

I have left the basic square, but I have broken it up to make it less solid.

It has also allowed more of the horizon to be visible.

Although not noticable in the photograph there is a small variety in the colouring of the sea. This gives a pleasant vibration to flat blues of the background, and not just in the closeness of the colours in the sky to the sea itself. This has the effect of giving heat and life in what could have been a very flat and un-interesting area.

I have also created another curve and twist in the righthand tree trunk to give a better shape to the fork. Finally the foliage on ground and behind the trees has been re-worked and detail added.

I feel the painting is finished now. Though there is always a possibility I may see some change to make in a month or two.

This last photo is of the view, though not the same angle, which was a little to the left I think. But it explains some of the changes made, and the original sketch.

Back to grey skies....

We are back from the Cote D'Azur (French Riviera), in France. The weather was beautiful again, February and 20 degrees, sunshine and blue skies (if a little hazy at times). Travelling along between Nice, Antibes, Cagnes-sur-mer and as far along as Cannes....we intend to go further on our next visit to the area....was most enjoyable in bright sunshine and warm breezes. However we are now back in cold grey windy Ireland...and wishing I was still there.

Visiting the Cote D'azur, among other places, allows you to experience the world of the Impressionists and post impressionists. It is much easier to appreciate or critique the work when you have seen the areas painted, the light of the region and it's natural colours. See what they saw when painting plein air landscapes along the coastal regions. But many other artists also spent time working here, among them were Pablo Picasso, Chagall, Dufy, Cocteau, Bonnard, Soutine, Derain, Boudin, as well as Monet, Renoir and others. There is even an organised tour based around the settings and landscapes they painted for those that like to be guided.

I prefer to meander along at my own pace rather than being chivvied or delayed by a herd instinctively trying to keep everyone happy....even those that want the whistle-stop tour!
I am amazed how some groups go into galleries and speed around as fast as possible...I tend to go to one or two rooms at a time and savour what I see....there is always another day to see further. But back to the Riviera...the light there is different.. one of these days I may get to spend enough time there to do some painting....maybe next time, we are certainly going back again, we had a better time this year than last year, mainly because we travelled more widely (last year we spent most of the time in Nice and Monaco) but we still want to see other areas of interest, and we still didn't go to the Renoir Museum (Cagnes) the Chagall Museum (Nice) time just passes and before we know it, it's time to go home again......Well at least until Barcelona next month..........

Back from Our travels

We are back from Nice and the Cote D'azur in the french riviera. We also visited Montecarlo in Monaco which is just a short bus ride up the coast from Nice. The coastal landscape is interesting, and as we were flying into Nice I had an amazing view of the coastline west of the airport itself as we approached the airport parallel to the shoreline. The Public bus service in the area is very reasonable, at 4 euro you can get the bus from the airport and unlimited use of local busses and trams for the day. Obviously we did a lot of our touring and sightseeing by bus and tram, it sure beats paying through the nose on our own public transport at home.

The bus to Montecarlo was only 2 euro for a return ticket. It is a nice trip along the coast too. I preferred Nice to Montecarlo, even though Montecarlo had some great specimens of the giant white strelitzia plants. It was amazing to see these bird-of-paradise flowers towering over the banana trees beside them. I had to look twice to check which were trees and which were strelitzias. There were many standard strelitzias flowering all over Nice and Montecarlo. Also Montecarlo was in the process of preparing for next months Grandprix motor race so there were barriers and viewing platforms being erected all over the place, which made it quite scruffy.

Sadly we did not have the time to visit all the sites immortalised by the impressionists in the area, nor to any of the art galleries in the area which include galleries devoted to Renoir, Matisse and Chagall among others.