Showing posts with label biennial. Show all posts
Showing posts with label biennial. Show all posts

Friday, March 30, 2012

My new lino cut.


I have been busy working on my Lino-cut for the 4th International Biennial Ex Libris. All that is left for me to do is cut the wording, Ex Libris & Communism, which is the subject for this Biennale. After much thought and planning, I decided to change my mind, simply because Communism does work in certain situations, notably in the insect world.
I decided to use Bees as my subject, they are more liked than ants and have a recognizable honeycomb.
As communism success stories, bee hives survive through strength and numbers, an ideal communist state where all work for the hive as a whole, from the queen, the workers, the guards and the nurses.
A Greek Eutopia...
The print is a reduction lino-cut in three colours, now I can finish it off and start in on the oils again.
PS. Nice was very nice, I'll post some pics later...

Wednesday, April 21, 2010

Another Lino-cut goes off for display

With the sky opened up to air-traffic again I have been able to send my
ex-libris lino cut print to the Third International Biennial Ex Libris Exhibition "Danube" 2010
at the Historical Archive of Pancevo, in Serbia.
It should have gone last week, but with the grounding of air traffic due to the Icelandic Volcano...no I'm not going to try and say/write the name of it...LOL....there was not point trying to send anything airmail...
The Lino-cut is a three colour print and it is based on the River Danube (the subject this exhibition) depicted by the sinuous blue curves down the center. The overall shape is heavily influenced by the Neolithic ceramic Donii figures. These are women with wide almost pear shaped hips, often depicted pregnant, celebrating the creation of life and thought of as Mother Earth. The river curves follow the line (left hand side) of the traditional womanly curves. These Donii were created in the neolithic era by the peoples living along the Danube Valley.
These curves representing the river are then highlighted with partial spirals, a neolithic form of decoration that is common between Ireland's neolithic culture and that of the Balkans and the Danube valley.
I have allowed the 'solid' grey to print unevenly, it is hand printed rather than with a press, to allow white paper show through. My intent to have the overall effect similar to stone rubbings that we get from our carved stone artifacts here. This ties my own heritage to the heritage of the Danube Valley and helps keep the work more personal.
I like this work for it's simplicity, but it has a simplicity that comes from much planning and work. An almost art-deco feel, but one that enfolds quite deep undertones celebrating the artistic heritage that has survived thousands of years, both along the Danube River and in my own area.
Now that I have this sent, and the airplanes are flying again, I have to try and get organised for our trip to the Cote D'Azure in the south of France.

Saturday, November 8, 2008

2nd Biennial Ex Libris - Lighthouse

The 2nd Biennal Ex Libris opened in Gallerie Archive, Nemanjina 7, Pancevo, Serbia last night. I have a couple of linocuts showing in it. I would have liked to get over for the exhibition, but I couldn't really justify it at the moment with all the travelling I have been doing. I will be in Malta next month too.

I am looking forward to the trip, and I have arranged to meet up with an Artist friend, Francis Gallea while I am there. In the meantime it's back to work for me, paintings to paint (and finish) before I go....