My new look website is operational

I have re-launched my website.  It was in need of updating, and had been in situ for 10 years in it's current format.  I have my suspicions that the amount of java that was in the template I had been using was detrimental to the ease of use with smartphones too, but I can't complain it served me well for the decade at a cost of about $60 when I bought the license to use it.  

I decided to keep the new (improved, I hope) site simple.  It is just a basic html and css setup with little to download other than the images to facilitate smart phone accessibility.  Hopefully it will bring a level of sales similar to the old site when  I was actually updating it.  I'd messed up my shopping cart for about the last two years without realising it by changing my email address and forgetting to update the paypal shopping cart- even though the new email is on the same account the paypal cart was only operating - or not operating as the case was- on the now defunct email.
Thankfully a buyer contacted me to let me know there was a problem, hence the rush to update without fully testing.  I still need to finish off my alt tags and keywords etc. but the site is fully operational (as far as I know until someone actually buys from it again ;)) I added a link to here on the site to add to the functionality.

Springtime, and the painting is Plein air...

 Four Plein air knife paintings on 10 by 8 inch panels.

 

Glenasmole and the Dublin City Golf Club, from Bohernabreena

 

Howth head and Dublin City from Bohernabreena

 

 

The Upper Liffey Valley Manor Kilbride

 

 

The Upper Liffey Valley Manor Kilbride

Springtime has arrived...  at least for now, we have had a couple of warm sunny days.  The 17th of the month was almost balmy, and I put the warmth to good use by doing some plein air studies down the road, and in Wicklow.   It was great to be able to go out and work after the winter, and I am considering setting off back to the Liffey Valley in the morning if the weather holds for tomorrow.  There is a view I want to work on in a larger format.  It will need a lot more detail than these four did, and will probably take a couple of plein air trips before I come back to the studio to finish it.  The latter two images will help me recall the co,lours and conditions when working on the proposed larger work.
The light had softened by the time I got to Kilbride, the fields looking greener and the trees turned more grey than brown on the shaded side of the mountain.  But looking east from Bohernabreena the sunshine  had the trees looking much brighter and brown, yet the golf club in the first painting also showed signs of a cool light in the shaded greens and fairways of the course.  The fresh greens of new growth in the grass fields has a deep green and silver look at this time of the year.  Later on in the year the greens will become much warmer, even in the shade.  The fresh shoots of the grass give an almost magical light in the early spring sunshine, much more silvery than the early growth of the leaves in the trees and hedges later on in the spring which seem to just warm the browns and greys of the twigs before really turning green. 

Back from Monet's world, and into my own...

 Here are some of the promised Photographs from Giverny.  The gardens are beautiful, if a little crowded for any real atmosphere.
I did a couple of watercolour sketches while I was there, just for the sake of doing it as much as anything else.
We wandered through the house (surprisingly spacious) and studio (not as big as I expected) also and explored Monet's collection of Japanese prints which are on display on the walls where hed left them.

We visited the Orangerie the following day to see the Waterlilly paintings in situ (as well as the other art on view downstairs) .A pleasing experience enhanced by the visit to the gardens. 

the watergarden

 

the main avenue

the river Ru

the sketching artist

view to the Japanese bridge

 the lily pond from beside the bridge

 

I'm busy fishing for the next two weeks, but I'm going to try to get started on some work.   Monet's waterlillies have encouraged me to go large again.  looking around at the expansive canvases reminded me why I love to paint big canvases.  I think the recent smaller work may have stifled my creativity somewhat, but it's OK.  I'm cured.

Painting a Rainbow trout.

This morning I decided to paint one of the trout I caught while out fishing yesterday. It was taken on a fly, fished from a drifting boat, lough style.

It is a nice silvery fish of about 1.25 kg, a Rainbow trout, grown on from fry stocked into the lough. I kept this one because it was so sleek and beautiful. It was also late in the day, so I wasn't worried about it laying in the sun for hours.




I started off by painting a quick oil paint study, rendered in about 3 hours. Painted alla prima I was more concerned with the light and colours on the fish than with the outline. Consequently the fish is a little too narrow and long in proportion. I also am not really happy with the tail shape after a long look.



The study is painted on a 35 by 25 cm canvas.





For the second work I have used a canvas 80 cm by 60 cm. I started this canvas by being much more particular in my drawing. Although this was done in paint with a brush, the sketching in was done by measuring proportions to ensure they were correct. I then adjusted the drawing slightly, to emphasise the perspective by moving the dorsal (top) fin back a fraction.

You will notice that I have taken a different angle with the second painting. I moved the fish nearer eye level to allow more of the underside of the fish to be visible.

Today, I have blocked in the background and shadow, and painted in the tail. This was important as the tail fin has started to dry out, even with regular damping. This effects the light and reflections, I also have taken some close up photographs for reference if needed. I continued working on the head, catching the colours and light playing around the gill covers, and finally I have blocked in the body tone to allow me to reposition the subject correctly for the next day so that the same area is subject to the silvery highlights.

I am not going to be able to continue tomorrow due to other commitments, but I hope to get back to the painting on Sunday. My fish will keep in the Refridgerator, covered so it doesn't dry out.